Wednesday, November 9, 2016

Scoured : a poem



















Ghost trees scrubbed
Scoured by swags of snow
Already I feel numb to this
Why and how
Of season’s cycles
The brown the gray the blue
Circle back to bleached
And I strive and scrape
Exhausted of bounded life
Burnished by dull cold.

Tuesday, November 8, 2016

Green Bus : a poem



The late bus and its light
Like a neuron dissolving into
Green and blurry haze 
Some light from alternate minds
Gathered on the late, late bus
And the woman in the blue coat
Inside this world staring at what?
The ruddy sun trying to hide
Behind nude trees
Thinking what?
Maybe a lonely thought
Just the faded impress
Of some hurt healed long ago
But still felt

Monday, November 7, 2016

Winter Wheat : a poem



Winter's tenant has arrived
Speaking the testament of frost
The rows of blades like soliders
Guarding the once burnt field
This year the corn ravenous 
Nitrogen mad, enraged
Their roots like ribcages
Leaf and stalk bedraggled innards
Laying stool in the earth's mouth
Now this winter wheat is
A blanket for dry furrows
Sleeping, cleansing, hiding
The secret of rebirth for
Winter's dark night
Of snow and ice
Frost and freeze

Thursday, November 3, 2016

Maimonides and the Book that Changed Judaism: Secrets of The Guide of the Perplexed




Micah Goodman’s Maimonides and the Book that Changed Judaism: Secrets of The Guide of the Perplexed was a best seller in Israel.  The English translation was published in 2015.  

I learned Rambam primarily from Leo Strauss’ writings and his students.  The ‘secrets’ of the guide for Strauss were the dramatic depictions of G-d (allegorically) engaged in reproduction in the so-called Account of the Chariot and Account of Creation.  Untangling this mystery was the prime focus of Strauss and his students.

Goodman defines secrets far more broadly.  So much so that I am not exactly sure what the secrets of The Guide are under his rubric; perhaps there are many, and his broad approach is in keeping with that.  Goodman aptly says that the Rambam complied halacha from the confusing array of rabbinical sources to create one rational, easy to approach source - the Mishnah Torah.  

When he wrote The Guide he purposely took rational, logical philosophical accounts and broke them into pieces.   The Guide is a book that conceals more than it reveals.  And according to Goodman, whereas the Rambam is certain on matters of Jewish law and practice, he allows philosophy to be a highly equivocal pursuit, open to uncertainly. And that is the Rambam we get in this book.  Both Goodman’s The Guide of the Perplexed and Maimonides are very post-modern.  They are not comfortable with meta-narratives.  The subjects under study are uncertain and equivocal, and so are our conclusions.  Maimonides comes across as non-dogmatic and within constraints even pluralistic.

Although Goodman presents a solid summary of The Guide, I can’t see how, with this conclusion, the book changed Judaism.  Oddly, Goodman does not provide a summary of this claim.  What changed after The Guide?  For the most part, Jewish philosophy is a backwater of Jewish history.  The Kabbalah and its various incarnations have changed Judaism far more than the Rambam’s intriguing work.

Tuesday, November 1, 2016

Anna Quindlen’s Still Life with Bread Crumbs: A Novel




I do not want to condemn Anna Quindlen’s Still Life with Bread Crumbs: A Novel because it all works out in the end.  An adolescent desire to have all fiction descend into a scenario of gloom, with the accompanying doom, is a trap I try to avoid in life, so why not in the fiction I read and write?

The problem is less with the tying up the loose-end ending, than with some of the predictable turns of the plot.  Even in Rebecca Winter’s sorrow and stress, Quindlen never wants to cause her readers too much pain.  That said, Winter’s despair during her long period of solitude is disquieting, and something most have experienced.  

But overall, Quindlen does not want to tax us too much.  In the end, this leaves us with a novel that does not expand our horizons as readers, or stretch the possibilities of the novel.